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Clare Goodwin, AT THE SCALE OF LIVING

The publication offers a focused insight into Clare Goodwin’s recent works — spanning painting, assemblage, and ceramics. Developed alongside her exhibition projects, it brings together images, texts, and installation views that reflect Goodwin’s ongoing exploration of abstraction, domesticity, and spatial composition. With a Text by Sandi Paucic, 2025

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Constructive Nostalgia

Verlag für Moderne Kunst, 2016 Autoren / Authors: Rebecca Geldard, Felicity Lunn, Daniel Morgenthaler, Herausgeber: Kunsthaus Pasquart,Verlag: Verlag für Moderne Kunst, 2016Hardcover. Sprachen / Languages: dt/fr/engISBN: 978-3-903004-78-8 Clare Goodwin’s paintings—reduced as they are to lines, shapes, and patterns—are formally precise, hard-edge compositions. Entitling the works with English names that were commonplace in the past instils the

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Ceramic Whispers

Publication A catalogue with recent ceramic works,  Concept and Layout by LOKAL 14, Michael Nitch.  Edited in collaboration with Lullin + Ferrari Gallery 2022

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The Museum of the Unwanted, Zug, Band1

Vexer Verlag, St. Gallen/ Berlin, 2015 Hrsg./ Editors: Clare Goodwin, Kunstmuseum Olten, Dorothee Messmer, Katja Herlach. Text: Rebecca Geldard. Mit künstlerischen Beiträgen von / with artistic contributions by: Tom Ellis, Clare Goodwin, Gregory Hari, Huber.Huber, Alexandra Navratil, Juliane Irene Smith, Lordedana Sperini. Text: Deutsch/English//Design: Herrmann Germann //ISBN: 978-3-909090-74-7 The publication was published accompanying the exhibition

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The Museum of the Unwanted

Vexer Verlag The Museum of the Unwanted. Olten (Volume 2) Edited by: Kunstmuseum Olten, Dorothee Messmer, Katja Herlach, Clare Goodwin, 2015 Publication; 64 pages, 23.5 × 16.8 cm, hardcover with linen cover and embossing, thread stitching Texts: Dorothee Messmer, Aoife Resenmeyer. With artistic contributions by Anna Barriball, Pascal Danz, Matthias Gabi, Clare Goodwin, Andy Holden, Charlie

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Denis and Denise

Nieves Five writers respond to Clare Goodwin’s painting Dennis and Denise (2018), offering narrative foils to Goodwin’s visual language. Dennis and Denise is neither described nor explained, but serves as a catalyst for literary experimentation. The texts, in turn, illustrate the painting’s wealth of implicit meaning.  Tony Grisoni is a British screenwriter and filmmaker living in London, Rebecca

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Publication List

  • Museum Ritter, ed. Zwischen Ordnung und Leben. Konstruktive Kunst heute (Between Order and Life: Constructive Art Today). Texts by Marli Hoppe-Ritter, Hsiaosung Kok and Barbara Willert. Stuttgart: printed by Offizin Scheufele, 2026. (Includes the essay Soziale Geometrien on Clare Goodwin, pp. 12–15.)
  • Goodwin, Clare. «At the Scale of Living.» Text by Sandi Paucic. Zurich: Studio Clare Goodwin, 2025. ISBN 978-3-033-11692-4. (Monographic publication; edition of 200 copies.)
  • Schmidt, Kristin. “Klang der Erde: Keramik als Material der Kunst.” «Kunstbulletin», no. 7–8 (2025). (Review of the exhibition «Klang der Erde: Keramik als Material der Kunst», featuring works by Clare Goodwin.)
  • Kunstmuseum Appenzell, ed. «Sound of the Earth.» Appenzell: Kunstmuseum Appenzell, 2025. (Text by Stefanie Gschwend and Felicity Lunn. Group exhibition catalogue with text on Clare Goodwin’s works.)
  • Battista, Kathy, ed. «NON Objectified.» Verplanck, NY: KinoSaito Art Center, 2024. (Includes works by Clare Goodwin, «Ceramic Block», 2024.)
  • Bischof, Valentina. “Sculpted Adornment.” «Kunstbulletin», no. 12 (2024). (Exhibition notice on Clare Goodwin’s show «Sculpted Adornment».)
  • Basting, Barbara, and Ramona Brückner, eds. «Kunst für Zürich / Art for Zurich.» Zurich: Scheidegger & Spiess, 2023. ISBN 978-3-03942-103-9. (Includes works by Clare Goodwin, pp. 136–139.)
  • Swiss Post Ltd, ed. «Unser Engagement für die Kunst / An Insight into the Art Collection of Swiss Post / Un engagement pour l’art / Nella collezione d’arte della Posta Svizzera.» Zurich: Scheidegger & Spiess, 2023. ISBN 978-3-03942-213-5. (Includes works by Clare Goodwin.)
  • Goodwin, Clare. «Ceramic Whispers.» Zurich: LOKAL 14 / Lullin + Ferrari Gallery, 2022. (Catalogue of recent ceramic works; concept and layout by Michael Nitch.)
  • Schweizer Kunst / Art Suisse / Arte Svizzera / Art Suisse. «Mit Kunst aus der Krise / Sortir de la crise par l’art / Uscire con arte dalla crisi.» Vol. 123/124 (2021/2022). Bern: Schweizerischer Kunstverein, 2022. (Includes Clare Goodwin, «Distant Lounge», 2020, p. 25.)
  • Vogelsang, Lukas. “Eine konkrete Entdeckung.” «ensuite. Zeitschrift zu Kultur & Kunst», no. 232 (April 2022): 60–61. (Review of the exhibition «Vier Konzepte Konkret» at Kunsthaus Zofingen, featuring Clare Goodwin.)
  • Bonetti, Tiziana. “Abstrakt gedacht — Vom Motiv zur Akteurin.” «Kunstbulletin», no. 7–8 (2022). (Review of the exhibition «Abstrakt gedacht» at Atelier Hermann Haller, featuring Clare Goodwin.)
  • Strauss, Dorothea, ed. «Backstage Engelberg.» Vienna: Verlag für moderne Kunst, 2021. ISBN 978-3-903439-30-2. (Includes a work by Clare Goodwin, p. 160.)
  • Encrantz, Johanna. “Art as Connection — Kunst als sozialer Kitt.” «Kunstbulletin», no. 12 (2021). (Review of the exhibition «Art as Connection» at Aargauer Kunsthaus, including Clare Goodwin’s «Environment 1».)
  • Goodwin, Clare. «Dennis and Denise.» Zurich: Nieves, 2018. ISBN 978-3-905999-95-2. (Artist book featuring texts by Tony Grisoni, Rebecca Geldard, Chris Fite-Wassilak, Frances Loeffler, Aoife Rosenmeyer, and J. Emil Sennewald responding to Goodwin’s painting «Dennis and Denise», 2018.)
  • von Burg, Dominique. “Clare Goodwin.” «Kunstbulletin», no. 10 (2017). (Monographic article on the work of Clare Goodwin.)
  • Henkes, Alice. “Clare Goodwin – Erzählerische Hard-Edge-Malerei.” «Kunstbulletin», no. 3 (2016). (Feature article on Clare Goodwin’s exhibition «Constructive Nostalgia» at CentrePasquArt, Biel/Bienne.)
  • Kunsthaus Pasquart, ed. Constructive Nostalgia. Vienna: Verlag für Moderne Kunst, 2016. ISBN 978-3-903004-78-8. (Trilingual German/French/English; essays by Rebecca Geldard, Felicity Lunn, and Daniel Morgenthaler.)
  • Goodwin, Clare, Dorothee Messmer, and Katja Herlach, eds. «The Museum of the Unwanted, Vol. 1.» St. Gallen / Berlin: Vexer Verlag, 2015. ISBN 978-3-909090-74-7. (Published on the occasion of the exhibition curated by Clare Goodwin at Kunstraum Kolin, Zug, 2014; text by Rebecca Geldard; with artistic contributions by Tom Ellis, Clare Goodwin, Gregory Hari, Huber.Huber, Alexandra Navratil, Juliane Irene Smith, and Loredana Sperini; bilingual German / English edition; design by Herrmann Germann.)
  • Messmer, Dorothee, Katja Herlach, and Clare Goodwin, eds. «The Museum of the Unwanted.» Olten: Vexer Verlag, 2015. ISBN 978-3-909090-75-4. (Published on the occasion of the exhibition «The Museum of the Unwanted».)
  • Henkes, Alice. “The Museum of the Unwanted.” «Kunstbulletin», no. 11 (2015). (Article on the exhibition «The Museum of the Unwanted», curated by Clare Goodwin at Kunstmuseum Solothurn.)
  • Schaschl, Sabine, ed. «Concrete Contemporary – Now Is Always a Little of Yesterday and Tomorrow.» Zurich: Museum Haus Konstruktiv; Vienna: Verlag für moderne Kunst, 2019. ISBN 978-3-903269-69-9. (Includes a work by Clare Goodwin, pp. 42–43.)
  • Goodwin, Clare. «Collection Cahiers d’Artistes 2010.» Lucerne / Poschiavo: Edizioni Periferia; Zurich: Pro Helvetia, 2010. ISBN 978-3-907474-73-0. (Artist monograph published as part of the Swiss Arts Council Pro Helvetia’s «Collection Cahiers d’Artistes» series; essays by Rebecca Geldard and Andreas Vogel; design by Clare Goodwin and Casper Mangold.)
  • Zürcher Kunstmesse Kunst 11. «Art Fair Catalogue.» Zurich: ZKB / Kunst 11 Organisation, 2011. (Featuring Clare Goodwin in the ZKB booth presentation.)
  • Reindert, Ulrike. “Clare Goodwin: Abgründige Ästhetik des Alltäglichen.” «Vernissage» 286 (July–August 2009): 28–31. (Feature article on the occasion of Clare Goodwin’s exhibition at UBR Galerie Ulrike Reindert, Salzburg.)
  • Blättler, Alexandra, and Henry F. Levy, eds. «BINZ39 Dokumentation 05/06.» Zurich: Stiftung BINZ39, 2007. (Includes Clare Goodwin as artist-in-residence 2005/06, pp. 28–29.)
  • Kielmayer, Oliver. “Fremde Heimat – oder umgekehrt?” «Kunstbulletin», no. 12 (2005). (Illustrated feature article on Clare Goodwin’s installation work exploring memory, material culture, and notions of home.)
  • Lunn, Felicity, and Hans Ibelings, eds. «Interior View: Artists Explore the Language of Architecture.» Amersfoort: De Zonnehof, 2004. (Includes works by Clare Goodwin.)
  • Denaro, Dolores, ed. «Helden heute / Héros à jamais.» Biel/Bienne: edition clandestin / CentrePasquArt, 2002. (Includes a contribution on Clare Goodwin, pp. 134–135.)
  • Kielmayer, Oliver. Homecoming. Berlin: loop – Raum für aktuelle Kunst, 2003. (Exhibition catalogue accompanying the group show Homecoming, featuring works by Clare Goodwin, Daniel R. Hunziker, Jeroen Jacobs, William Speakman, and Christian Vetter.)
  • Goodwin, Clare. «Nam June Paik Un-Plugged.» Hong Kong: Para/Site Art Space, 2002. Published on the occasion of Clare Goodwin’s solo exhibition at Para/Site Art Space, Hong Kong, 2002.
  • Goodwin, Clare. «TV Dinner.» Thun (CH): report; Galerie Bernhard Bischoff, 2002. ISBN 3-907059-12-5. (Published on the occasion of the exhibition “TV Dinner,” Galerie Bernhard Bischoff, Thun, 1–14 December 2002; texts by Rebecca Geldard and Felicity Lunn; design and typesetting by Sandi Paucic; printed by Vetter Druck AG, Thun.)
  • Thurston, Frank, and John Strutton, eds. «Swell: Painting 1997.» London: P. J. Art Productions, 1997. (Includes works by Clare Goodwin. Contributors: Paul O’Kane and Matthew Higgs.)