Flash

Tony Wuethrich Gallery, Basel, 11 – 25 March 2023 In the spring of 2022, I discovered Tony Wuethrich’s exquisite private collection of vases, mainly objects from German, French and Italian production from the 1950-1970s. Tony’s passion for vintage ceramics is expressed in the incredible diversity of his collection, which is housed in his private rooms

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Abstrakt gedacht

Atelier Hermann Haller, Zürich, 3 Juni – 2. Oktober 2022, mit Kyra Tabea Balderer, Clare Goodwin, Hermann Haller, Sonia Kacem, Sabine Schlatter, Shannon Zwicker Kuratiert von Maren Brauner und Irene Grillo Die diesjährige Gruppenausstellung im Atelier Hermann Haller mit dem Titel «Abstrakt gedacht» situiert das historische Werk des Schweizer Plastikers Hermann Haller im Kontext von

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Lavish Horn

Ruettimann Contemporary, Zurich, 5-28 June 2022, with Lisa Biedlingmaier and Una Szeemann With LAVISH HORN, Ruettimann Contemporary brings together three female artists who reflect on the topic of the continuous circle of life and death, the present, and the past. Lisa Biedlingmaier, Clare Goodwin, and Una Szeemann each explore the feelings and sensations bygone days may

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April, April – The Abundance of Possibilites

Lullin + Ferrari Gallery, Zurich, 9 April – 7 Mai 2022, with Mirjam Blanka Inauen The first spring variation features works by Clare Goodwin and Mirjam Blanka Inauen. Common to the works is an interest in abstraction, colour balance and the use of unusual image carriers, on the one hand ceramics, on the other wrapping

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Solo Presentation Multiple Art

Zurich, schauraum multiple art, 17.3.-14.4.2022 For this special collaboration with the schauraum multipleart, Clare Goodwin made a new ceramic wall piece.  It comprises over 400 individual hand-cut and glazed ceramic ‘whispers’ – baked slices of painterly forms – into a single wall work. In this new work, she refers to compositions of classical modern art, including

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Concrete! Four Concepts

Kunsthaus Zofingen, 19.2.-10.4.2022 The exhibition Concrete! Four Concepts shows the different approaches in Concrete Art. But what is Concrete Art? How has it developed since its emergence in the 1930s and its flowering in the 1950s? How do young contemporary artists deal with constructive concrete art? The starting point of the exhibition are works by

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Art as Connection

Aargauer Kunsthaus, Aarau, 3.10.21 – 9.1.22 In reaction to the upheavals resulting from the coronavirus pandemic,  Art as Connection takes the form of an experimental and open exhibition based on a collective developement process. To open up different perspectives on these unusual times, the curatorial team of the Aargauer Kunsthaus is forming a collective with five

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Didn’t I tell you, I think I did

Lullin + Ferrari Gallery, Zurich, 23.10.2020 – 5.12.2020 Clare Goodwin’s painting practice has undergone a typically minimal but, in material terms, quite radical evolution in recent years. Her irreverent gaggle of Modern motifs appear to have travelled some distance, in scale and referential mileage, from their historical and studio origins: onto walls, objects and, most

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Le Grand Bleu

Lullin + Ferrari Gallery, Zurich, 12.12.2020 – 23.01.2021 Group show with works by Anne-Lise Coste, Slawomir Elsner, Klodin Erb, Franziska Furter, Pierre Haubensak, Clare Goodwin, Sebastian Utzni and wiedemann/mettler. “We are delighted to present the group exhibition Le Grand Bleu. The title is due to a spontaneous idea while viewing a large, royal blue watercolor by Slawomir Elsner. On the

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