Villa Renata Basel 26.9.-15.12.2024 Sculpted Adornment is an immersive exhibition featuring new works by Clare Goodwin alongside guest contributions from Aina Rea Aliotta, Valentin Carron, Sophie Jung, Shana Moulton, Claudia & Julia Müller, Markus Müller, and Lucca Cora Süss. Clare Goodwin stages a dialogue between the historical spaces of Villa Renata, a 19th-century building, and

02.12.2023 – 7.1.2024 The work exhibition Auswahl 23 provides a fascinating insight into what is created in the studios and workrooms of Aargau artists and artists that contribute to the cultural landscape of the Kanton of Aargau throughout the year. 

Raum Schroth at Museum Wilhelm Morgner, Soest Germany 10. September – 19. November 2023 In this exhibition, the work of nine artists is placed in a visual dialogue about past and present aspects of social and political systems.Curators Andrew Bick, Jonathan Parsons and Katie Pratt have been working together since 2016 on projects that address

Lullin + Ferrari Gallery Zurich2 September – 21 October 2023 In “It’s All About” Clare Goodwin presents new works that feature the special characteristics of her abstract, minimal art: Clear precision and great lightness, reduction to lines, shapes and patterns and a selected colour palette. The exhibition includes small and large canvases in portrait, and,

The 4th Industrial Biennial (IAB04), Raša, Istria, Croatia13 May – 30 July 2023 In the spacious loggia of the church of St. Barbara in Raša the artist deals with an icon of art history: Guernica, the monumental painting that Pablo Picasso painted in I937 as a reaction and commentary the fascist bombing of the Basque

Tony Wuethrich Gallery, Basel11 – 25 March 2023 In the spring of 2022, I discovered Tony Wuethrich’s exquisite private collection of vases, mainly objects from German, French and Italian production from the 1950-1970s. Tony’s passion for vintage ceramics is expressed in the incredible diversity of his collection, which is housed in his private rooms right

Atelier Hermann Haller, Zürich, 3. Juni – 2. Oktober 2022, mit Kyra Tabea Balderer, Clare Goodwin, Hermann Haller, Sonia Kacem, Sabine Schlatter, Shannon Zwicker Kuratiert von Maren Brauner und Irene Grillo Die diesjährige Gruppenausstellung im Atelier Hermann Haller mit dem Titel «Abstrakt gedacht» situiert das historische Werk des Schweizer Plastikers Hermann Haller im Kontext von

Ruettimann Contemporary, Zurich, 5-28 June 2022, with Lisa Biedlingmaier and Una Szeemann With LAVISH HORN, Ruettimann Contemporary brings together three female artists who reflect on the topic of the continuous circle of life and death, the present, and the past. Lisa Biedlingmaier, Clare Goodwin, and Una Szeemann each explore the feelings and sensations bygone days may

Lullin + Ferrari Gallery, Zurich, 9 April – 7 Mai 2022, with Mirjam Blanka Inauen The first spring variation features works by Clare Goodwin and Mirjam Blanka Inauen. Common to the works is an interest in abstraction, colour balance and the use of unusual image carriers, on the one hand ceramics, on the other wrapping

Zurich, schauraum multiple art, 17.3.-14.4.2022 For this special collaboration with the schauraum multipleart, Clare Goodwin made a new ceramic wall piece.  It comprises over 400 individual hand-cut and glazed ceramic ‘whispers’ – baked slices of painterly forms – into a single wall work. In this new work, she refers to compositions of classical modern art, including

Kunsthaus Zofingen, 19.2.-10.4.2022 The exhibition Concrete! Four Concepts shows the different approaches in Concrete Art. But what is Concrete Art? How has it developed since its emergence in the 1930s and its flowering in the 1950s? How do young contemporary artists deal with constructive concrete art? The starting point of the exhibition are works by

Aargauer Kunsthaus, Aarau, 3.10.21 – 9.1.22 In reaction to the upheavals resulting from the coronavirus pandemic,  Art as Connection takes the form of an experimental and open exhibition based on a collective developement process. To open up different perspectives on these unusual times, the curatorial team of the Aargauer Kunsthaus is forming a collective with five

Lullin + Ferrari Gallery, Zurich, 23.10.2020 – 5.12.2020 Clare Goodwin’s painting practice has undergone a typically minimal but, in material terms, quite radical evolution in recent years. Her irreverent gaggle of Modern motifs appear to have travelled some distance, in scale and referential mileage, from their historical and studio origins: onto walls, objects and, most

Lullin + Ferrari Gallery, Zurich, 12.12.2020 – 23.01.2021 Group show with works by Anne-Lise Coste, Slawomir Elsner, Klodin Erb, Franziska Furter, Pierre Haubensak, Clare Goodwin, Sebastian Utzni and wiedemann/mettler. “We are delighted to present the group exhibition Le Grand Bleu. The title is due to a spontaneous idea while viewing a large, royal blue watercolor by Slawomir Elsner. On the

Haus der Kunst St. Joseph, Solothurn, 3.10.2020-17.1.2021 ‘sottovoce‘ is the second solo presentation of Clare Goodwin’s work devoted solely to her wall paintings. Known primarily for working on canvas, and more recently with ceramic and handmade objects, Goodwin made 11 new site-specific wall paintings for the three exhibition spaces of Haus der Kunst St. Josef, Solothurn –

Last Tango, Zurich, 11.8.-19.8.2019 Last Tango is pleased to present a week-long exhibition by Clare Goodwin, the artist’s first solo presentation devoted solely to her wall paintings. Known primarily for working on canvas in her Zürich studio, Goodwin will make four new wall paintings specifically for two of the project space’s four exhibition spaces. Responding to

Visarte Kabinett, Zurich, 13.12-22.12.2018 Double show Clare Goodwin and Maratina von Meyenburg. The Visarte cabinet in the old town in Zurich is the place where new members of the Swiss Professional Association of Visual Artists are introduced with an exhibition. Martina von Meyenburg and Clare Goodwin make use of their slot by placing an old living

Centre Pasquart, Bienne, 31.1.-1.4.2016 Solo show Clare Goodwin Curated by Felicity Lunn Clare Goodwin’s paintings present formally precise, hard-edge compositions, reduced to line, shapes and patterning. Her habit of titling the works with English names common in the past introduces humour and intimacy into the usually austere realm of geometric abstraction. The paintings are thereby