Shortly before its demolition, a 1940s family house in Meilen became a temporary working space, exhibition and lived environment. Clare Goodwin used the house as a full-scale laboratory: a place where paintings, ceramics, assemblage sculptures, wall drawings and floor prints could be tested directly against the measurements of domestic life. The project was not a finished

Wenigstrasse 30, Bezirksgericht Zürich Clare Goodwin won the art-in-architecture competition organised by the City of Zurich’s Department of Building Construction (Hochbauamt) for the comprehensive renovation of the District Court of Zurich at Wengistrasse 30. In her project, she used building elements from the original structure dating back to the 1970s, incorporating them into a terrazzo

Permanent Wall Painting for Stiftung Konzeptuelle Kunst Soest – Germany  Following Clare Goodwin’s participation in the 2023 exhibition Analysis Disruption System at the Artroom Schroth, Museum Wilhelm Morgner the artist was invited by the Foundation Conceptual Art (Stiftung Konzeptuelle Kunst) to realise a permanent wall painting in Soest at a later date. This opportunity has

Centre hospitalier universitaire Lausanne, temporary installation in public space, 1 February – 9 June 2024 This installation corresponds to an exhibition format specific to the artist, called ‘Stillscape’ – Paysage immobile in French – which evokes a domestic environment. In the sculptures, wallpaper and ceramics, the artist’s practice as a painter is visible in the

Kantonsschule Bühlrain, Winterthur, 2020 Clare Goodwins bevorzugtes Medium ist die Malerei, wobei sie sich aktuell mit der Kombination und Überlagerung von zwei malerisch autonomen Bildebenen in ein und demselben Gemälde beschäftigt. Für die Kantonsschule Büelrain übersetzte sie ihre zweidimensionale Auseinandersetzung in eine räumliche Situation und erweiterte sie zusätzlich um ein kinetisches Moment. Fünf unregelmässige Fünf